Peter Halley creates fluorescent, diagramatic paintings suffused with social commentary. His circuit board-like canvases connect regimented arrangements of rectangles with precise, perpendicular lines. Alluding to what he calls the “geometrisation of modern life,” Halley observes parallels between the structures of electronic networks, prison cells and city planning. Dazzling neon palettes echo those used in eye-catching advertisements, and are rendered using industrial paints such as Roll-a-Tex and Day-Glo. Seamless surfaces, achieved using rollers rather than brushes, intentionally erase any trace of human touch.