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Grayson Perry is a great chronicler of contemporary life, drawing us in with wit, affecting sentiment and nostalgia as well as, at times, fear and anger. In his work, Perry tackles subjects that are universally human: identity, gender, social status, sexuality, religion. Autobiographical references – to the artist’s childhood, his family and his transvestism – can be read in tandem with questions about décor and decorum, class and taste, and the status of the artist versus that of the artisan. Perry uses the seductive qualities of ceramics and other art forms to make stealthy comments about society, its pleasures as well as its injustices and flaws, and to explore a variety of historical and contemporary themes. He works with traditional media such as ceramics, cast iron, bronze, printmaking and tapestry, and is interested in how each historic category of object accrues intellectual and emotional baggage over time.

Barry McGee has lived in San Francisco his whole life. He's travelled across the world to exhibit at prestigious galleries and museums but still finds inspiration in the unexpected beauty of his home. His journey to becoming an artist started back in the 1980s. "We were on the fringe," says McGee, talking about the friends he used to do graffiti with as a teenager. "It's the outcasts, all of the straggly kids that figure out how to work the system." After finishing art school in 1991, Barry became a key member of the Mission School. The group's low-fi aesthetic drew from the grittiness and beauty of city life. "It's kind of dirty, kind of broken," says McGee. "It's basically the whole mess of it that makes it work."