Gregory Crewdson

Untitled [Man in Car with Shed]

€400

Artwork

Edition of 46028.0 (H) × 35.5 (W) cm

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With Twilight, a series of 40 elaborately-staged photographs taken between 1998 and 2002, Gregory Crewdson arrived at the epic, filmic approach which has come to define his instantly recognisable images.

25 years on, three images from the series have been reprised as limited edition prints – available to order individually or as a triptych with a 10% discount.

Twilight explores liminal moments in small town America. Everyday settings become paranormal as night draws and bizarre details arise. Intentionally ambiguous, each photograph resembles a climatic film noir still while eluding any concrete plot, place or character.

The first print sets a car – driver dazed, door and boot wide open – in the middle of a quiet residential street. An eerie glow emanates from a shed surrounded by bushes. Lit, curtainless windows suggest onlookers, even if none can be seen.

“I’m revisiting this picture on the 25th Anniversary of Twilight because, as my first street scene of this kind, it has become very important in my iconography and visual language. Its significance in the context of my larger body of work is very striking in retrospect.”

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25 years of Twilight
Edition insight

Behind the scenes

Gregory Crewdson10 collaborationsAmerican photographer Gregory Crewdson can take months, years, to find the moment he's looking for. "The pictures are about creating a world," says Crewdson in the acclaimed documentary Gregory Crewdson: Brief Encounters. "I've always had images inside my head that I feel like I want to get out in the world." Crewdson starts his projects by location scouting, driving the streets of small-town Massachusetts, often visiting the same spots again and again. At this stage he doesn’t take a camera. Instead, he wants to get a real sense of the place – uninhibited by the lens. Once a location is set, he takes photos on his phone and works with his team to write a ‘description’ for each scene. From here on he operates like a film director. Lights, actors, wardrobe, art direction, props, cars. Crewdson takes all of his pictures at twilight, when the artificial lights of suburbia and fading light of the day work together in harmony. Eventually, the moment comes. For a split second, everything is calm, still and perfect.

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