Gregory Crewdson

Untitled [Ray of Light]

€400

Artwork

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With Twilight, a series of 40 elaborately-staged photographs taken between 1998 and 2002, Gregory Crewdson arrived at the epic, filmic approach which has come to define his instantly recognisable images.

25 years on, three images from the series have been reprised as limited edition prints – available to order individually or as a triptych with a 10% discount.

Twilight explores liminal moments in small town America. Everyday settings become paranormal as night draws and bizarre details arise. Intentionally ambiguous, each photograph resembles a climatic film noir still while eluding any concrete plot, place or character.

In the final print, a narrow beam of light invades an otherwise-innocuous corner. The spot where it lands – home to a wooden signpost and a broken fence – wriggles beneath its newfound significance.

“I like the way that something as simple as a ray of light can change a landscape from ordinary to mysterious or uncanny. Light becomes a narrative code. Here, the ray of light offers a sense of something larger than us – expansive, or transcendent. There are moths in the picture, which are a motif that runs through my work. In this case, I took real moths that I photographed for a previous series and composited them into the light.”

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25 years or Twilight
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Behind the scenes

Gregory Crewdson10 collaborationsAmerican photographer Gregory Crewdson can take months, years, to find the moment he's looking for. "The pictures are about creating a world," says Crewdson in the acclaimed documentary Gregory Crewdson: Brief Encounters. "I've always had images inside my head that I feel like I want to get out in the world." Crewdson starts his projects by location scouting, driving the streets of small-town Massachusetts, often visiting the same spots again and again. At this stage he doesn’t take a camera. Instead, he wants to get a real sense of the place – uninhibited by the lens. Once a location is set, he takes photos on his phone and works with his team to write a ‘description’ for each scene. From here on he operates like a film director. Lights, actors, wardrobe, art direction, props, cars. Crewdson takes all of his pictures at twilight, when the artificial lights of suburbia and fading light of the day work together in harmony. Eventually, the moment comes. For a split second, everything is calm, still and perfect.

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