Johnson Tsang’s surreal porcelain sculptures balance illusionary compositions with hyperreal aesthetics. Despite their delicate craftsmanship, they depict grotesque scenarios: a human face twisted like a wet towel; a fed-up newborn trapped inside a birdcage; or stacks of human heads squashed inside glass cabinets. Half cherub, half Buddha, the artist’s bulbous figures have an amusing fleshiness. While Tsang’s work recalls aesthetics from across art history, such as Chinese ceramics and Neo-classical sculpture, the self-taught artist predominantly draws from personal experience and his intense, bizarre dreams. In his waking life these are given in physical existence via his art.