A black and white photo of a person striking a dramatic pose, wearing a dark top, light skirt, and high heels, looking upwards with arms spread wide.

Untitled (Sandy, from the series “Men in the Cities”)

€5,200

A black and white photo of a person striking a dramatic pose, wearing a dark top, light skirt, and high heels, looking upwards with arms spread wide.

Robert Longo

Untitled (Sandy, from the series “Men in the Cities”)

€5,200
Limited edition of 20070.0 (H) × 43.7 (W) cm

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Released in support of Vote.org, Robert Longo’s new limited edition silkscreen print explores power, politics and the human condition. 

Untitled (Sandy) is one of the rarest and best-known figures from Longo’s Men in the Cities series, a collection of graphite and charcoal drawings based on photographs of the artist’s friends and contemporaries taken on the roof of his New York studio in the late 70s and early 80s. Longo used ropes, loud noises and threw objects at his models to achieve the surreal half dancing, half dying movements of his reference imagery – which was partially inspired by the final scenes of Fassbinder’s film The American Soldier (1970). 

Frequently imitated but rarely editioned, this release marks the second ever release of Men in the Cities as silkscreens – the first being our 2025 release of Untitled (Eric). Sandy has been deliberately produced at the same scale and dimensions as Eric for repeat collectors who may wish to display the two pieces together. 

Our master printmakers have used Longo’s original Kodak transparencies to craft this limited edition print, resulting in a high level of fidelity with the original charcoal drawing.

Discover the edition

Drawing of a person in a dark coat looking upward with eyes closed against a plain white background.
Portrait of Robert Longo
Robert Longo3 collaborationsRobert Longo’s drawings bring us closer to the images that haunt our collective unconscious. Ironically, his ‘Men in the Cities’ (1979-1983) series has achieved exactly that. The images of contorted bodies in "urban uniforms and Film Noir attire" have ricocheted through culture for decades, finding unsettling parallels in reality. At the core of Robert’s practice is an inquiry into how images become symbols – taking on political, cultural, and metaphysical significance in the social imaginary. Each series interrogates a specific theme or visual motif, such as waves crashing (Monsters, 2000-2021), places of worship (God Machines, 2009-2011), and the American flag (Protocol Verso, 2011-2018). 

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Reviews from Avant collectors

  • absolutely impeccable service!

  • really a masterpiece to add in my collection!Thanks a lot🙏🏻❤️

  • The piece arrived very safely packaged. We haven't yet had it framed, but I'm very excited to see it hanging in our space.

  • Excellent on every level - buying experience, communication, framing and packaging by (which was exceptional) and of course, the actual artwork - it is stunning in real life - really delighted.

  • were happy to have the print and are grateful for the professional correspondence. we look fwd to purchasing prints in the future.

  • Expertly packaged & printed. We be getting it properly framed to hang. Thank you!

  • Not only the artwork, but also the unboxing was was a highlight itself - thank you for your perfect service!

  • Very smooth transaction. The piece is beautiful. Can;t wait to get it framed.


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