Antony Micallef isn’t constrained by the boundaries of sculpture and painting. Instead, he uses thick impasto –  the process of layering on paint so it stands out from a surface – to create his 3D pieces. He also pushes this process to the extremes – scraping, twisting and ‘excavating’ the paint. Further texture is added by recycling dried paint from his palette and studio walls. The resulting pieces are distorted, charged and raw. This application is in sharp contract with the flat backgrounds of many of his paintings. Each one uses glazing techniques synonymous with the Renaissance artists like Rembrandt, and can often take weeks to perfect.