The making of daydreamer
Translating daydreamer into print was a meticulous process of craftsmanship and precision. Led by specialist fine art printmaker Anastasia at Make-Ready, the edition came to life through innovative digital printing techniques.
To achieve a smooth base for that final colour layer, we used a combination of white ink and varnish to gradually build up the relief. I ran several varnish tests to achieve just the right finish. The final result has a high-gloss, almost porcelain-like finish, bringing a sense of depth and dimension. Rather than applying varnish evenly across the artwork, we applied it selectively to give the florals a sculptural quality.
Anastasia, Fine Art Print Specialist at Make-Ready
Translating Claire Silver's artwork to print began with careful artworking to identify and define its textural elements.
A total of 27 passes of UV pigment ink were layered to create a raised, embossed texture.
The final result encases the central figure in ribbons of texture.
Seeing my work physically and being able to touch it – it’s really, really special to me.
Claire Silver
