James Jean’s Woodcutter, consecrated into bronze, embodies the complexity and technical prowess of the artist’s timeless compositions.
The artist’s wood gathering motif evolved from references to 18th century engraving and Ninomiya Sontoku – a prominent Japanese figure of self education and diligence. Woodcutter now takes form as a young boy realised in bronze, chosen for its longevity and lustrous energy. His gathered firewood reveals glistening faces representing Kami – omnipresent spirits originating from the Shinto religion who traditionally assist hunter-gatherer groups.
“As the kindling is burned, the boy is thankful to the spirits – for releasing their energy and creating heat.”
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