mpkoz

Mecha

€3,000

Edition of 50

Each unique print is paired with an NFT of the same artwork, and will be allocated at random. Claiming instructions will be shared after purchase. 40 works will be reserved for mpkoz token holders in a presale and all remaining works will be available via the public draw. mpkoz token holders can verify here to register for the presale.

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Generative expressionism meets hyper-textured printmaking in a new series by Michael Kozlowski (mpkoz).

Written entirely in GLSL and JavaScript, Mecha is centred on synthesised texture - procedurally, thematically and physically. It represents the final evolution of a photoreal painting algorithm mpkoz started developing two years ago.

“The narrative behind Mecha is an exercise in maximalism. I wanted to push my technical skills, the complexity of the outputs, and the technology used to print them, to their limit.”

In doing so, Mecha became a visual reflection of this process: a series of complex, tactile compositions each replicating physicality, consistency, light and shadow to an uncanny level. It is the first body of work that mpkoz has created in which the technical processes used to create the artwork directly influence the visual composition of the outputs.

This narrative of maximalism extends into the printing process. The artist worked closely with the printmakers at Make-Ready in London for over a year, perfecting a cutting-edge technique to physically reproduce the simulated depth of Mecha’s outputs.

Each artwork is printed with up to 31 layers of UV-cured ink on an aluminium plate – resulting in a variable build-up of texture, highlighting the level of detail present in the algorithmic outputs and bringing them to life in a way that simply isn’t possible on a digital display.

Behind the scenes

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mpkoz

Collaboration coming soon

Michael Kozlowski is a media artist primarily interested in generative systems and mixed reality. In his work, he incorporates elements and techniques from the past into the bounds and capabilities that mediums like generative and immersive art provide. “As digital technology becomes more prevalent, traditional two-dimensional media will concede its monopoly on our experience and consumption of art and other imagery,” Michael states. “I am interested in this middle ground, the transition of media as it crosses from two to three dimensions, from paint on canvas to pixels on a display or 3D meshes in a simulation, and how either side of the spectrum can build upon and improve the other.”

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Reviews from Avant collectors

Thank you so much for the communications! Very surprised with the gloves, tote, personal card note, and COA! This a gorgeous piece and like nothing I’ve ever seen! Keep pushing the boundaries on art and technology!
Review of Love Ripples
I'm pleasantly surprised by the quality and efficiency of your service. I've purchased art from various sources before, and some are still keeping me waiting. Consequently, I'm now a big admirer of your service. Thank you!
Review of Guardian
Very happy with the print, shipping, and framing.
Review of HOPE (251-375)
Absolutely gorgeous! I have admired Danielle McKinney's work and Shelter is exceptionally beautiful. The colors, the texture - I was delighted when I opened the box. The frame and floating presentation is also perfectly matched to the beauty of the piece. Also, well done on the shipping - it came thoroughly protected. Thank you!
Review of Shelter
Incredible piece, well packaged, everything was A+++.
Review of Snow Lotus No. 1
A wonderful experience from start to finish.
Review of Open Mind (Small)
Super stoked... exceeded expectations. Great framing and packaging and love the extra details in the authenticity card, bag, stickers.
Review of Untitled (Hand-finished)
beautiful print. top notch
Review of Digital Chemicals

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