If you want to truly remember or forget, the only way is to accept the past, whether good or bad, happy or sad, love or hate, clear or blurred…Because they are the important elements that constitute the scenery of our lives and create the present.
Johnson Tsang
Limited edition of 15031.8 (H) × 18.0 (W) × 9.5 (D) cm
Sold out
Love this work?
Subscribe to get notified about any cancellations and early access on next releases.
In this new limited edition sculpture, Johnson Tsang blends two faces into one surreal meditation on identity.
Remembrance is a translation of the artist’s original porcelain sculpture from his acclaimed Lucid Dream II series, which explores the liminal space between the conscious and subconscious through emotive sculptures of contorted faces.
In this work, Johnson intertwines two faces to symbolise how memories "constitute the scenery of our lives" and shape our present sense of self. For Johnson, the piece embodies a necessary acceptance of the past, capturing the delicate fusion between holding on and letting go.
Medium
Resin cast sculpture with matte spray paint finishEdition size
150Authentication
Artist's signature engraved on the back of the sculpture.Certificate of Authenticity
Arrives with a certificate of authenticity.Release date
August 14, 2025Limited edition sculptures are shipped in bespoke wooden boxes with gloves and handling instructions. All of our boxes are carefully designed to ensure safe arrival.
Payment
Pay with bank card. If you wish to use an alternative payment method, get in touch.
Policies
Draw policy
Returns and refunds
This artwork is protected by a resale agreement, which all collectors will need to sign before placing an order. More details in our FAQs
Johnson Tsang12 collaborationsJohnson Tsang’s surreal porcelain sculptures balance illusionary compositions with hyperreal aesthetics. Despite their delicate craftsmanship, they depict grotesque scenarios: a human face twisted like a wet towel; a fed-up newborn trapped inside a birdcage; or stacks of human heads squashed inside glass cabinets. Half cherub, half Buddha, the artist’s bulbous figures have an amusing fleshiness. While Tsang’s work recalls aesthetics from across art history, such as Chinese ceramics and Neo-classical sculpture, the self-taught artist predominantly draws from personal experience and his intense, bizarre dreams. In his waking life these are given in physical existence via his art.
Reviews from Avant collectors
Discover more sculpture editions on Avant Arte
Available
Available
Draw
Available