Woo Kuk Won

Kukwon Woo

Valley of the Shadow of Death & Breakfast on the Beach [Diptych]

€3,000
Limited edition of 5052.1 (H) × 65.0 (W) cm
Artwork
Composition #1
Composition #2
Composition #3

Sold out


Love this work?

Subscribe to get notified about any cancellations and early access on next releases.

Kukwon Woo places a fantastical twist on two biblical scenes.

‘Valley of the Shadow of Death’ combines two popular metaphors for the battle between good and evil. The first is from Psalm 23, a biblical prayer for comfort and strength in the face of evil. The second is from the Star Wars: Empire Strikes Back, the science-fiction blockbuster.

‘Breakfast on the Beach’ is Woo’s rendition of the biblical passage John 21. In his version, Jesus sits under a striped parasol. He is joined at the table by the strawberry-blonde toddler and white dog that recur in Woo’s paintings. Across the top, a verse from the passage beckons you to the feast in Woo’s looping roman script.

Monochrome portrait of Woo Kokwun
Kukwon Woo9 collaborationsKukwon Woo journeys through a world full of paradoxes drawing inspiration from every encounter. He synthesises these experiences into neo-expressionist paintings full of wit and wonder. He often paints children on heroic adventures or battling everyday tasks, accompanied by animal sidekicks and fairytale friends. These images are juxtaposed with text that ranges from comedic to philosophical. The result is sometimes absurd, like a pony reading decolonial theorist Franz Fanon (I Hate Mornings, 2020). Although he’s fluent in irony, his goal is to recreate the pure expression of a child “truly immersed in a moment – happiness, joy, anger, hate, jealousy, envy, weakness.”

To get closer to pure expression, Woo unlearned the habit of writing neatly. His messy script frames many of his canvases with phrases like “a baby is God’s opinion that life should go on” (Tomorrow, tomorrow, I love your tomorrow, 2021). At face-value, it expresses Woo’s excitement as a then father-to-be. However, the words betray their writer’s awareness of life cycles and religion, and therefore mortality and morality. While works like Rainbow is Illusion (2022) are overtly cynical, the lurking existential dread is always softened by the pastel colours and rag-doll texture of Woo’s painting. Like all good fabulists, he excels at the gentle push and pull between knowledge and innocence.

Who else should know about this work?

Help us spread the word


Reviews from Avant collectors

  • Incredible piece, well packaged, everything was A+++.

  • Fantastic work, fantastic customer experience

  • Excellent quality of execution - love it!

  • an amazing artwork. my second Tomas Sanchez. very happy to have it framed bu you. thank you.

  • So happy to have the print.

  • great service!!

  • really pleased, would happily recommend and also purchase again from Avant Arte

  • amazing piece. love the frame and unbox experience


Discover more print editions on Avant Arte

America's Tire
Available
Sayre GomezAmerica's Tire€2,000
Thinkpol
Available
Ali BanisadrThinkpol€4,200
In the Car, 1963
Draw
Roy Lichtenstein EstateIn the Car, 1963€600
Mother's Milk
Draw
Loie HollowellMother's Milk€2,500