"We all get to choose our own reality."
BeepleTime-limited edition60.9 (H) × 40.6 (W) cm
SIGNAL: Edition of 331 / NOISE: Edition of 205 / CHOOSE VIOLENCE: Edition of 180
Artwork
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Collect a trio of prints based on Beeple’s generative debut.
The Tree of Knowledge is a digitally-programmed sculpture which responds in real time to events around the world, with three possible states – signal, noise and violence. The artwork, part of the Lingotto collection, encompasses Beeple’s reflections on the subjective nature of our individual realities, and on a hypothetical symbiosis between technology and nature.
Static excerpts from each state have been transformed by printmakers at Make-Ready in London into fine-tuned UV pigment prints sealed with satin varnish.
Framing
Prints can be ordered float-mounted in one of two framing options:Medium
Three individual UV pigment prints sealed with satin varnish on 410gsm Somerset Tub Sized Radiant White paper.Authentication
Signed by the artist. Individually numbered. Dated 2024.Certificate of Authenticity
Arrives with a certificate of authenticity.Release date
October 09, 2024We ship framed and unframed prints in bespoke boxes. The boxes are specially designed to ensure safe arrival, and you'll find gloves and handling instructions inside. If you order more than one unframed print, your artworks may be shipped in the same box.
Payment
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Policies
Beeple4 collaborationsMike Winkelmann, aka Beeple, is the unlikely hero of the digital age. His weird, epic, dystopian images and animations are bursting with political satire – underscored by macabrely entertaining titles like Elon Baby Breastfeeding Himself and Tom Hanks Beats the Shit Out Of Coronavirus. On 1 May 2007, Mike began his seminal project Everydays. He created a jpeg and put it online. Then he did the same thing the next day and the day after. Over 15 years later, he's never missed a day. Comprising more than 6000 artworks, Everydays is now a landmark in the history of digital art. Not only did the project’s first 5000 instalments become the first purely digital work Christie's ever sold, realising a mammoth $69,346,250 at auction in 2021, but it also helped establish the everyday as a movement within digital culture – a practice that many artists have since adopted.
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