Amir H. Fallah paints portraits of identity in all its multiplicitous glory. He starts by photographing people at home, among their belongings. Or as he puts it: “personal mementos, historical heirlooms and the mundane debris of life.” While the sitters do sometimes feature, Fallah favours their belongings and memories. Elements from the photoshoots are then mixed with a wealth of references from East and West. There are nods to Persian miniatures, historical maps, illuminated manuscripts, science-fiction and cartoons. Using acrylic paints, he slowly builds the busy, collage-esque compositions. Together, these amass into vibrant roadmaps of identity.