For me, nature is a temple – just as the human body is a temple as well. So, if I’m asked how spirituality influences my work, I would say I don’t add it to the image afterwards; I feel it throughout my entire process of making.
Tomás Sánchez
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Tomás Sánchez captures his spiritual homeland in a new limited edition print of a defining work.
Autorretrato en tarde rosa, originally painted in 1994, is a quintessential example of the hyperreal landscapes which have made Tomás one of the most important living Cuban artists. True to its title – which translates as Self-portrait on a pink afternoon – the composition quietly includes the artist himself as a small meditating figure. This subtle detail symbolises his presence not as dominator but as a reverent witness to nature's power.
This archival pigment print faithfully translates the luminous detail and meditative atmosphere of the original painting.
