An edition refers to a specific set of prints or artworks that are produced at a certain time or for a particular event.
Each piece in an edition is usually numbered and may be signed by the artist, which adds to its value and collectibility. The size of the edition—how many pieces are produced—can also influence the value of each individual piece. Editions are common in the art world, allowing artists to reach a broader audience while maintaining the integrity and value of their work.
Sarah Zucker (she/they/he) was born in 1985 in Cleveland Heights, Ohio. She now lives and works in Los Angeles, California.
A mythical beast steps out from the maelstrom.
Miwa Komatsu’s paintings are guided by a deeply personal spiritual outlook. Yamainu-san are wolf-like divine beings, encountered by Komatsu as a child and now found – wide eyed and cosmic – throughout her dazzling artworks.
In The Entity Stirs, a Yamainu-san emerges from an ocean of lace-like white marks surrounded by mountains and fire. Based on an original painting, the edition layers a flatbed print with three silkscreen layers including fluorescent ink and flashes of gold.
The dazzling eyes at the artwork’s centre are of particular significance. Komatsu explains that – in a series of epiphanies – the intense stares she is confronted by in otherworldly encounters have broadened her own vision, and helped her to paint.
Each print is accompanied by a copy of The Great Harmonisation – an illustrated poem conceived as an introduction to the conceptual framework of Komatsu’s practice.
A child slides free from reality in Hiroya Kurata’s sun-kissed vignette.
For his paintings, Hiroya Kurata draws inspiration from family life. Many are based on photographs he takes during adventures with his wife and three children. Tenderness is balanced with bizarre artistic interventions. In this case, the subject’s head becomes a large smiling lemon.
Complete with deckled edges and a silkscreen varnish seal, aptly-titled Lemonhead translates a recent painting of the same name into an edition of 40 signed prints.
Afro Painter is an abstract rebellion against conformity.
Based on an original work from Jansen’s anonymous Faceless series (2012), the edition challenges idealised stereotypes in painting and traditional portraiture. The portrait, influenced by his younger self, encapsulates the painter's inner battle. The subject is broken down into abstract parts which call for rebuilding, reflective of the artist’s personal journey as an artist in solitude with PTSD. Strong parallels can be drawn between the edition and works by German interwar artists such as Otto Dix and George Grosz; creating works as radical in their sociopolitical commentary as they are in style.
A miniature giant by legendary photographer, JR.
In his ongoing Giants series, JR takes over buildings and monuments worldwide with enormous black and white portraits. The project began in Rio de Janeiro during the 2016 Olympics – championing determined world class athletes who didn’t quite make the cut. Mohamed, a Sudanese high-jumper, took his place on the roof of a foreclosed apartment building overlooking the ocean.
A first-of-its-kind sculpture archives the moment at a domestic scale. The figure, printed on acrylic, can be affixed to a scaffold made from welded steel rods and displayed in isolation, or placed on top of a bespoke plinth which doubles up as an edition box.
“All my works are ephemeral. If you go back to Rio it’s not there, but it’s there in people’s minds. For the people who haven’t seen it, here is the proof that it at some point existed.”
Dmitri Cherniak reconfigures his pioneering series with a silkscreen print that nods to the algorithmic parameters of Generative art.
Originally released in 2021, the Ringers series illustrates the almost infinite ways a string could be wrapped around a set of pegs, created by an algorithm that allows an limitless variety of combinations of this concept. Derived from a unique Javascript transaction hash, each output contains feature variations including peg count, size, layout, wrap orientation and colourful flourishes.
Realised as a physical print edition, this new incarnation of Ringers is a 9-piece parameter sweep laid out in a 3x3 grid. The number of pegs sampled are changed between 10% and 100%, with the signature yellow peg remaining consistent in each composition. Ringer #962, donated to LACMA, appears in the centre. To support the future of Los Angeles County Museum of Art, proceeds from Cherniak's first Avant Arte edition will be donated to the museum, alongside the original work.
The artist’s three signature colours are boldly realised in seven layers of silkscreen, each enhanced by embossment. Each print is paired with an NFT of the same artwork. Claiming instructions will be shared with collectors after launch.
The exact edition size will be determined by the number of prints ordered in the 24 hour release window. When this window ends, artworks will be printed and shipped worldwide free of charge.
With a blossoming symbol of growth and renewal, Marcela Flórido explores the beauty of self discovery.
Playful, sensitive, bold – Flórido’s first print edition, BLOOM, embodies her intentions as an artist. The edition is based on a large-scale painting from 2022, an experiment in symmetry. Flórido foregrounds her cartoonish pseudo-self, a recurring subject for her recent artworks. She draws from a wealth of art historical references, from Modernism to Baroque, Hilma Af Klimt to Tarsal do Amaral, culminating in a vibrant exploration of selfhood.
Each print has been uniquely hand-finished by the artist with flowers in a variety of colours, patterns and mediums, inviting collectors to connect with their print on a deeper level.
Ripcache goes incognito with an edition of surveillance-inspired prints, each holding its own secret.
Tribute to Ripcache's commentary on privacy and binary visual language, Security pushes the boundaries of printmaking as an edition of 32 unique prints. Behind a triangle in the lower left corner lies a private key, granting access to a wallet which contains an accompanying NFT. The private keys are concealed beneath scratchable black ink – only revealed if a collector chooses to deface their artwork. Would you vandalise your print to gain access?
Each print is paired with an NFT of the same artwork. Claiming instructions will be shared with collectors after launch.
Take art to the streets with a limited edition tote by Tschabalala Self.
Five artist bags created in collaboration with re-wrap present the opportunity to collect work by Avant Artists in a functional, real-world ready format. For her bespoke design, Tschabalala Self reconfigures the hand-drawn, swirling patterns which characterise her paintings and sculptures into symmetrical black and turquoise.
re-wrap is a social enterprise with 20 years of expertise creating hand-made, organic cotton tote bags and textile products in close partnership with women and farmers in South India.
Take art to the streets with a limited edition tote by Neo Image Matloga.
Five artist bags created in collaboration with re-wrap present the opportunity to collect work by Avant Artists in a functional, real-world ready format. For his bespoke design, Matloga layers a graphic, double-sided portrait and zebra print handles onto a boxy tote with a creamy blue, textured underprint.
re-wrap is a social enterprise with 20 years of expertise creating hand-made, organic cotton tote bags and textile products in close partnership with women and farmers in South India.
Take art to the streets with a limited edition tote by Hein Koh.
Five artist bags created in collaboration with re-wrap present the opportunity to collect work by Avant Artists in a functional, real-world ready herformat. For her bespoke design, Koh sets the intrepid vegetal heroine central to her recent paintings in a nonchalant pose – white smoke erupting from a lit cigarette.
re-wrap is a social enterprise with 20 years of expertise creating hand-made, organic cotton tote bags and textile products in close partnership with women and farmers in South India.
Take art to the streets with a limited edition tote by Cleon Peterson.
Five artist bags created in collaboration with re-wrap present the opportunity to collect work by Avant Artists in a functional, real-world ready format. For his bespoke design, Peterson encircles all four sides of a rectangular tote with a minimalist wartime tableau in black and beige.
re-wrap is a social enterprise with 20 years of expertise creating hand-made, organic cotton tote bags and textile products in close partnership with women and farmers in South India.
Take art to the streets with a limited edition tote by Brian Calvin.
Five artist bags created in collaboration with re-wrap present the opportunity to collect work by Avant Artists in a functional, real-world ready format. For his bespoke design, Calvin landed on a lilac cotton base set below one of his signature, plaintive portraits.
re-wrap is a social enterprise with 20 years of expertise creating hand-made, organic cotton tote bags and textile products in close partnership with women and farmers in South India.
Slathered in a crimson ooze, slime XCIX is born.
The print edition translates an original painting from Kotao Tomozawa’s slime series into six silkscreen layers, finished with a dusting of glitter. The artist’s hyper-realistic style is emphasised through the use of a high gloss varnish seal, mimicking the translucent effect seen in her paintings. The composition further contributes to the idea that this image could be a photograph, resembling that of a polaroid picture.
The uncanny appears in various forms throughout Tomozawa’s practice. In this instance, a plastic doll. Slime is another recurring motif, as the artist recalls calming moments from her childhood spent playing with the substance. Combined with the use of red, a sinister undertone pervades – the slime coating appearing like a mask, falling unnaturally to leave the doll’s eyes and mouth uncovered.
The classical bronze nude is reframed in Toy Car by Yu Nagaba.
With an arm melodramatically thrown over her head, the sleek female figure is based on a recurring character in Yu’s two and three-dimensional artwork, and represents the artist’s first figurative sculpture edition. The only clue as to where she is reclining is the toy car placed that accompanies her.
Inspired by Yu’s endeavours in graphic design, the edition constitutes a modern, minimal reworking of motifs and references from art history, such as Matisse’s reclining nudes. Frosted white paint is applied in several layers to the cast bronze sculpture – finished with flashes of platinum leaf.
Tinged with mischief and joy, Szabolcs Bozó unveils a fantastical sub-aquatic world.
When painting an original artwork for Art Basel Miami, Bozó was inspired by Ocean Drive. The beach, vivid architecture and neon lights all inform his underwater scene. Characters swimming through the piece began as sketches rooted in the artist’s Hungarian heritage. Influences spanning animation, folklore and mythology emerge in their unusual characteristics.
Treating each hand-finished edition as an original work, Bozo gets lost in the textural brushstrokes he adds whilst working from his studio floor. Each footprint or pawprint from his dog is left on the surface as ‘imperfections’ that are integral to his practice.
“Everyone digests art differently. Although I’m the one making the work, I don’t want to force my perspective on someone else and taint their enjoyment of it.”
James Jean’s Woodcutter meets Haroshi’s GUZO in a first-of-its-kind collaborative print.
Once strangers on opposite sides of the world, a kinship between the two artists ensued after noticing similar motifs in their work online. Both were riffing on traditional Japanese woodwork, and ideas for a collaborative edition soon followed.
Axe thrown over his shoulder, a defiant Woodcutter emerges from the forest with a freshly-felled GUZO under his arm. Faces look out from the wheels of his rippling skateboard, inspired by the tree-dwelling Kami spirits said to assist hunter-gatherers in Japanese folklore. The distinctive patterning of GUZO's body is derived from recycled skateboards – stacked, glued and carved by Haroshi to create his sculptures – and calls to themes of community and counter-culture.
"It’s uncertain whether he stole or rescued a much coveted Guzo, but what is clear is that he is a trespasser, and he has an expression of defiance as he pushes his way through a passage less travelled."
Each print is produced by Lamina, founded by James Jean and Brad Keech. The embossed prints are delicately finished with metallic foil, placing an emblem for each artist above his signature.
Animations by Jake Fried find physical form in an edition of monochromatic lenticulars.
Traversing digital and physical art, Open Eyes (Flower) transforms the illusory subjects and movements of Fried’s NFTs into an ever-shifting lenticular. The artist’s animations require painstaking repetition – drawn one layer at a time, by hand, before being scanned and combined into digital artworks. Eight individual frames have been used as the basis for the intricate three-part lenticular.
Each print is paired with an NFT of the same artwork. Claiming instructions will be shared with collectors after launch.
Jean Jullien creates a postcard vision of summer on the French coast.
La Grière depicts a beach landscape dotted with bikini-clad bodies, buckets and sandals. A fascination with observation is at the core of Jullien’s work, using art to create a visual commentary on the everyday. Simplicity is his philosophy and his practice. Trips to the Western coast of France inspire the print’s title and contents, where Jullien will often sketch from life on the beach. In a setting where everything is on show, Jullien’s featureless figures remain anonymous.
Available for 24 hours only, the edition of signed prints recreates an original painting from Jullien’s first European institutional exhibition – STUDIOLO at MIMA Museum, Brussels. Worldwide shipping is free.
Kotao Tomozawa (she/her) was born in 1999 in Bordeaux, France. She now lives, works and studies in Japan as a Graduate student at Tokyo university of the arts.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. I’M LUV, constructed from luxuriously-soft organic cotton, is emblazoned front and back with a nonplussed rendition of the artist’s faithful companion. On the reverse, arms folded sullenly. On the front, peering through a small rectangular window.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. I’M LUV, constructed from luxuriously-soft organic cotton, is emblazoned front and back with a nonplussed rendition of the artist’s faithful companion. On the reverse, arms folded sullenly. On the front, peering through a small rectangular window.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. I’M LUV, constructed from luxuriously-soft organic cotton, is emblazoned front and back with a nonplussed rendition of the artist’s faithful companion. On the reverse, arms folded sullenly. On the front, peering through a small rectangular window.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. I’M LUV, constructed from luxuriously-soft organic cotton, is emblazoned front and back with a nonplussed rendition of the artist’s faithful companion. On the reverse, arms folded sullenly. On the front, peering through a small rectangular window.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. BLOOM, constructed from luxuriously-soft organic cotton, is emblazoned with a pair of LUVs looking out from dense greyscale foliage – cropped to resemble one of the artist’s circular canvases. On the front, LUV becomes a vase for a small bunch of flowers.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. BLOOM, constructed from luxuriously-soft organic cotton, is emblazoned with a pair of LUVs looking out from dense greyscale foliage – cropped to resemble one of the artist’s circular canvases. On the front, LUV becomes a vase for a small bunch of flowers.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. BLOOM, constructed from luxuriously-soft organic cotton, is emblazoned with a pair of LUVs looking out from dense greyscale foliage – cropped to resemble one of the artist’s circular canvases. On the front, LUV becomes a vase for a small bunch of flowers.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. BLOOM, constructed from luxuriously-soft organic cotton, is emblazoned with a pair of LUVs looking out from dense greyscale foliage – cropped to resemble one of the artist’s circular canvases. On the front, LUV becomes a vase for a small bunch of flowers.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. I’M LUV, constructed from luxuriously-soft organic cotton, is emblazoned front and back with a nonplussed rendition of the artist’s faithful companion. On the reverse, arms folded sullenly. On the front, peering through a small rectangular window.
Wearable art from the world of LY & LUV.
A pair of limited edition hoodies – one white, one black – accompany a collection of new paintings by LY created for a pop-up in London. BLOOM, constructed from luxuriously-soft organic cotton, is emblazoned with a pair of LUVs looking out from dense greyscale foliage – cropped to resemble one of the artist’s circular canvases. On the front, LUV becomes a vase for a small bunch of flowers.
Mai (Afterlife) after Sir Joshua Reynolds' Portrait of Mai (Omai), 1776 and Frederick Douglass, 1850 are a pair of time limited editions launched in support of the National Portrait Gallery in London. Re-opening in June 2023, the Gallery's diversified collection focuses on presenting an inclusive and dynamic picture of the people who have contributed to the rich history of the United Kingdom.
Checkout from this page to order both prints in one shipment. For details of each artwork, visit their individual pages.
In Tiff, Shaina McCoy sets a faceless portrait in a sea of textured turquoise.
Translating an original painting into print form, the edition takes inspiration from family archives and photographs. Discernible only by her dark hair and sports jersey, the subject’s eschewed features create a sense of universality – encouraging the viewer to make connections with their own memories. McCoy’s thick application of oil paint and broad brushstrokes are closely replicated using innovative UV flatbed techniques, mimicking her rich painterly surfaces through layers of raised texture.
With an edition of silkscreen prints, Elizabeth Peyton makes an emotive tribute to a seminal figure in the history of America.
In Frederick Douglass, 1850 (2020), Peyton renders the titular American abolitionist, orator and writer from the neck up. The intimate and closely-cropped scale emphasises the minimalism and physicality of her brushwork, and heightens the emotional intensity of her subject's expression. She builds up the contours of Douglass’s face from short, watery dabs of oil paint – lending the composition a sense of spirited lightness.
Peyton’s artwork has been meticulously translated into a 32-layer, limited edition silkscreen in close collaboration artisan printmakers at Make-Ready in London – one of a pair of editions launched in support of the National Portrait Gallery in London. Re-opening in June 2023, the Gallery's diversified collection focuses on presenting an inclusive and dynamic picture of the people who have contributed to the rich history of the United Kingdom.
Frederick Douglass, 1850, 2023, silkscreen print © Elizabeth Peyton
In support of the National Portrait Gallery in London, Elizabeth Peyton depicts the subject of Reynolds’ eighteenth century portrait in gestural fuchsia.
Reynolds’ original painting portrays Mai – a Pacific Islander from Raiatea who travelled to England in 1773 and became a prominent figure in aristocratic society – at full length, barefoot in flowing robes. In her rendition, Peyton focuses entirely on Mai’s face, which she renders evocatively in loose strokes of oil paint.
Peyton’s artwork has been meticulously translated into a 15-layer, limited edition silkscreen in close collaboration artisan printmakers at Make-Ready in London – one of a pair of editions launched in support of the National Portrait Gallery in London. Re-opening in June 2023, the Gallery's diversified collection focuses on presenting an inclusive and dynamic picture of the people who have contributed to the rich history of the United Kingdom.
Mai (Afterlife) after Sir Joshua Reynolds' Portrait of Mai (Omai), 1776, 2023, silkscreen print © Elizabeth Peyton.
30 unique artworks form an ensemble of grinning bronze cats by Ryan Travis Christian.
The devilish cat originates from Christian’s drawing Cut Dick, depicting a row of cats standing in hell. In a sculptural re-imagining, each cat holds a framed graphite drawing, riffing on vintage rubber-hose animation.
Spanning loaded themes such as gunplay, medication, self depreciation and dizzying abstract patterns, each drawing is a dive into the artist’s mind. With a plethora of satirical connotations attached to each illustration, Christian hopes for the viewer to determine what story each cat holds.
Please note that works from the edition will be randomly assigned.
Meet Park, a new addition to the monochrome world of LUV.
In LY’s greyscale paintings, dogs represent unconditional love – and holding onto what’s precious. Flowers, meanwhile, nod to the cut blooms that her daughter likes to display around their home. An edition of hand-painted resin sculptures draws the two together. LUV’s dog waits patiently, flower in mouth, for its owner’s affection.
LUV’S DOG “PARK” was created to coincide with a pop-up in London. Read the journal and discover more opportunities to collect.
Each artwork is accompanied by an exclusive showcard – signed by LY – placing LUV amidst images by London-based photographer, Freya Najade.
Perched on a rooftop, LUV looks to the future.
LY channels memories of her youth in Tokyo into the imagined exploits of her enigmatic subject, LUV. Fast food, skateboards and moments in nature all feature prominently. A new edition of two-part sculptures places a seemingly giant LUV on the roof of a burger shop – a surreal twist on an existential moment.
“LUV often stands still and looks ahead – thinking about where to go next, and holding onto the precious things that they found on their journey so far.”
LUV’S BURGERS was created to coincide with a pop-up in London. Read the journal and discover more opportunities to collect.
Absurdism, horror, and cultivated arbitrariness meet canonical oil painting in a distorted portrait by Christian Rex van Minnen.
Grotesque and yet – somehow – delicious, plump gummy sweets float above a pulled and pinched face, veiled by a tattoo-esque layer of lurid cartoons. With a focus on tonal depth and richness of colour, the edition is printed in 34 distinct layers and finished with gold shimmer. Embossing and gloss varnish cause the gummies to jump forth from their surroundings, to surreal effect.
Specks, bubbling and pitting are a conscious choice by the artist, conceived to echo the aged surfaces of the centuries-old Dutch Masters paintings that inspire his work. The irregularities, unique to each print, are achieved by curing layers of ink for less time than usual – an experimental technique developed in collaboration with printmakers at Make-Ready in London.
The resulting artwork deftly entwines the precise technicalities of silkscreen printing with its lyrical unpredictability.
483,422 stitches compose an otherworldly landscape by Marina Perez Simāo.
With her first textile work Perez Simāo explores the liminal zone between abstraction and figuration, reimagining an archetypal sunset as a series of fluid yet sharp-edged shapes. The edition translates the formal language of her lyrical oil paintings, inspired by the undulating landscapes of Brazil, into an embroidered tapestry in 24 colours. From thread to framing, each element of the artwork is crafted and assembled in Lyon – a historic cradle for artisanal French textiles.
Proceeds from the collaboration will support the work of Gallery Climate Coalition and ClientEarth.
Flowers bloom in three different colours in Deborah Segun’s cubist-inspired vision of femininity.
Influenced by the collective experience of womanhood, Sweet Bloom (Purple) is an exploration of delicacy. A subject’s face hovers between a hand and flower. The silkscreen print accentuates the two-dimensionality of Segun’s works, emphasising her use of line to make the distinct shapes appear like cut-out collage.
The edition is available in three colour variations – blue, purple and yellow – in which the colours of the petals, hair and nails alternate.
Flowers bloom in three different colours in Deborah Segun’s cubist-inspired vision of femininity.
Influenced by the collective experience of womanhood, Sweet Bloom (Yellow) is an exploration of delicacy. A subject’s face hovers between a hand and flower. The silkscreen print accentuates the two-dimensionality of Segun’s works, emphasising her use of line to make the distinct shapes appear like cut-out collage.
The edition is available in three colour variations – blue, purple and yellow – in which the colours of the petals, hair and nails alternate.
Flowers bloom in three different colours in Deborah Segun’s cubist-inspired vision of femininity.
Influenced by the collective experience of womanhood, Sweet Bloom (Blue) is an exploration of delicacy. A subject’s face hovers between a hand and flower. The silkscreen print accentuates the two-dimensionality of Segun’s works, emphasising her use of line to make the distinct shapes appear like cut-out collage.
The edition is available in three colour variations – blue, purple and yellow – in which the colours of the petals, hair and nails alternate.
For a time-limited print edition, José Parlá spins memories of a life in art into abstract calligraphy.
Seeing in Phosphene sees Parlá draw on ocular phenomena as a source of inspiration. Caused by light, sound or pressure, ‘phosphene’ describes illusory colours and shapes that come from inside the eye. Rubbing closed eyes and seeing stars are common examples. By looking at the sun through the skylight of his Brooklyn studio and blinking, Parlá finds forms – spots, lines, riding colours – for his energetic paintings. In turn, these forms summon moments – the city, my family and friends, places I’ve been – from his storied past.
Available for 24 hours only, the edition of signed, varnish-sealed prints faithfully recreate an original painting. Set against a vibrant gradient of red, orange and yellow, densely-layered strokes become illegible and evade specificity. Instead, Parlá encourages his viewer to read the surface for themselves – to find their own meaning, and draw their own conclusions.
Free shipping is included on all orders. For more on sensory inspirations, read the accompanying journal.
Exuding mystery and glamour, Portrait of dazzle #150-P foregrounds the power of a gaze.
Based on an original work, the print edition sets Matsuyama’s feminine subject against a bold red backdrop, accentuating her sharp silhouette. Disguised by stripes and spots, a pair of deadpan eyes are the only discernible feature, confronting the viewer from underneath a low fringe. Matsuyama’s Portrait of dazzle series explores notions of camouflage. The name and patterns are derived from battleship designs during World War 1, when 'dazzle camouflage' made it difficult to ascertain whether a target was close by or far away. This motif first appeared in an installation by Matsuyama from 2016, and has since featured prominently throughout his practice.
We collaborate with artists to create both limited editions and works on paper.
A limited edition is part of a unique series of pieces. Limited editions are fixed in quantity, meaning we will only ever produce a certain number.
Framing options vary for each piece and are listed on the individual artwork pages. All pieces are framed with 90% UV acrylic glass.
Yes, 100%. We work directly with our artists to create editions that accurately represent their body of work. Additionally, every artist personally reviews and approves their final editions.
Each edition comes with a numbered Certificate of Authenticity (COA) signed by the artist. Additionally every edition will be signed, marked, or numbered on the edition itself.
Works on paper and some originals don't come with a COA.
No—the copyright is not transferred to the purchaser of the edition.
All the ins and outs can be found on our orders and shipping page.
