Edition

Edition

An edition refers to a specific set of prints or artworks that are produced at a certain time or for a particular event.

Each piece in an edition is usually numbered and may be signed by the artist, which adds to its value and collectibility. The size of the edition—how many pieces are produced—can also influence the value of each individual piece. Editions are common in the art world, allowing artists to reach a broader audience while maintaining the integrity and value of their work.

47 results found for "Edition"

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Ibrahim El-Salahi

Ibrahim El-Salahi’s mesmerising paintings represent the dream of postcolonial Sudan. His prison drawings expose the nightmare hidden beneath.

Ibrahim El-Salahi
article

How it's made: Rising High II by Peter Halley

Anastasia Vavilova, a printmaker at Make-Ready who specialises in experimental hybrid techniques, recounts the steps involved in an elaborate collaboration with Neo-geo painter, Peter Halley.

How it's made: Rising High II by Peter Halley
article

Actual Size: Explained

Ed Ruscha has spent his life toying with everyday words and objects – from roadside gas stations and billboards to the Hollywood sign. Featuring the SPAM logo and tin, Actual Size is one of his most iconic artworks. Here’s how a strange, satirical painting captured the essence of America.

Actual Size: Explained
essay

The art of tarot: meet the artists shaping the future of divination

The humble yet powerful tarot card has inspired artists for centuries. Today, tarot is more popular than ever, so we take a look at its long history and the creatives celebrating it now. Along the way, we speak to two of our favourite artists and tarot creators, Claire Yurika Davis and Marcella Kroll.

The art of tarot: meet the artists shaping the future of divination
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Ai Weiwei: Decoded

A guide to the symbols at play in a divine self portrait by Ai Weiwei.

Ai Weiwei: Decoded
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Cai Guo-Qiang: Snow Lotus

Explosive serenity is the paradox at play in a new collaboration with Cai Guo-Qiang. Hear his reflections on reflections, and discover the printmaking processes involved in transforming one of his gunpowder paintings into a limited edition print.

Cai Guo-Qiang: Snow Lotus
essay

Bridging the gap: how 50 years of hip-hop has changed the artworld

This is the story all about how hip-hop and art have propelled each other to global domination. From graffiti on the streets of the Bronx to record breaking auction results, hip-hop giants continue to make waves in the artworld.

Bridging the gap: how 50 years of hip-hop has changed the artworld
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Norman Rosenthal on Anish Kapoor: Out of the Dark

Norman Rosenthal, guiding force behind the artist's first silkscreen print, reflects on his relationship with artworks by Anish Kapoor – shiny, dirty and sublime – since they first crossed paths in 1978.

Norman Rosenthal on Anish Kapoor: Out of the Dark
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Framing Inspiration

So you found the perfect artwork. Now what? From classic to creative framing, with room for magic comes room for mistakes. We took five prints to a framing studio in East London to explore the possibilities on offer for the contemporary collector. Here's what we found out.

Framing Inspiration
guide

What is Generative Art?

Humans have been experimenting with generative art for centuries, but Web 3.0 technology such as NFTs and smart contracts has unlocked new possibilities. Here’s what you need to know about the movement that’s shaking up the art world.

What is Generative Art?
guide

What is silkscreen printing?

A printmaker takes a break from crafting world class editions at Make-Ready to guide us through the fundamentals, foibles and speculative future of screen printing and serigraphy.

What is silkscreen printing?
interview

Gemma Rolls-Bentley's collection

For Gemma Rolls-Bentley, collecting begins with understanding your own values and what you represent. As a curator and creative consultant, this is how she approaches her own collection as well as those she builds for others – guided by the idea that art should hold real meaning for those who spend time with it. The art that fills her South London home is a reflection of the queer family she is creating with her wife, poet and dementia specialist, Danielle Wilde.

Gemma Rolls-Bentley's collection
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Gregory Crewdson: 25 years of Twilight

On the 25th anniversary of landmark series Twilight, revisit Gregory Crewdson's supernatural vision of suburbia and collect a trio of limited edition photographic prints.

Gregory Crewdson: 25 years of Twilight
Artist

Sarah Zucker

Sarah Zucker (she/they/he) was born in 1985 in Cleveland Heights, Ohio. She now lives and works in Los Angeles, California.

Sarah Zucker
Artist

Kotao Tomozawa

Kotao Tomozawa (she/her) was born in 1999 in Bordeaux, France. She now lives, works and studies in Japan as a Graduate student at Tokyo university of the arts.

Kotao Tomozawa
Print

Sacred Connectedness

This signed, limited edition print will be based on an artwork painted by Miwa Komatsu in Fitzrovia Chapel on 11 June, 2024.The painting process was be streamed live from start to finish.Komatsu will work closely with printmakers at Make-Ready to translate her painting, Sacred Connectedness, into a fine-tuned hybrid print with a silkscreen varnish seal.

Collectors who buy a print while Miwa is painting will have the chance to win one of five unique, hand-finished versions.

Sacred Connectedness
Print

Sleepy

Soothing hues surround a sleepy subject in a limited edition print by Asuka Anastacia Ogawa.Paintings by Ogawa often feature almond-eyed, dark-skinned children – looking right at you. She draws inspiration from her Japanese and Afro-Brazilian heritage, using mysterious figures and scenes to set out her vision for a world without social division.Our first collaboration with Ogawa, Sleepy, imagines a moment of peace. Calm and content, a figure rests their head gently on a table. Like in all of her paintings, Ogawa uses a limited palette of subdued colours to enchanting effect.Ogawa worked closely with printmakers at Make-Ready in London to ensure these colours were precisely replicated in her print.

Sleepy
Print

Maya & Interior

Glitter and nostalgia unite a pair of limited edition prints by Mickalene Thomas. In Portrait of Maya #10, a muse exudes power from above in a striking pose. In Interior: Red Couch and Landscape, the artist draws us into a nostalgic living space with a previously unseen collage. “Collage is how I draw and see, create form and composition. It's a defining moment of learning, unlearning and redefining the concepts and images in my work.”

Maya & Interior
Print

Portrait of Maya #10

A muse from years gone by returns in a sparkling print by Mickalene Thomas.In her portrait, Maya commands the viewer from above in a powerful stance – captured by Mickalene on camera in the apartment the pair once shared in New York City. Collaged photographic layers draw focus to her chest, and what lies within. The original portrait was finished with sparkling embellishments, used by Thomas to redistribute light and draw attention to important areas of the composition. In support of the Broad museum, the artwork has been transformed into a limited edition print. Silkscreen overprints and hand-applied glitter highlight the X-ray-like section at the artwork’s centre, and add dimension to Maya’s clothing and hair.“I want the muse to see themselves the way I see them – very strong, confident, incredibly monumental and breathtakingly gorgeous.”

Portrait of Maya #10
Print

Interior: Red Couch and Landscape

Chic living meets surrealism in a previously-unseen collage by Mickalene Thomas.Collage is a foundational element of Thomas’ practice, revealing the conception and intimate stages of her artistic vision. Absent of figures, the stylish interior draws us inside with amalgamation of layers. Each nook waits to be explored, adorned with eclectic patterns and injected with glitter. From the nostalgic living space to the verdant garden outside, we are led to imagine what stories could be told from within the artist’s carefully fashioned space.Reminiscent of glossy vintage magazines, the print edition is finished with silkscreen layers of metallic shimmer, high gloss and satin varnish, hand-applied glitter and a matte seal.“Collage is how I draw and see, create form and composition. It's a defining moment of learning, unlearning and redefining the concepts and images in my work.”

Interior: Red Couch and Landscape
Print

La Nascita, Milano Centrale, Italie, 2024

JR adorns Stazione Milano Centrale with a rugged facade linked to its past.With a surreal trompe l'oeil, La Nascita connects the architectural grandeur of the train station with its history. In 1906, the construction of the Milano Centrale was initiated after many tons of rock were excavated from the alps to build the Simplon Tunnel connecting Italy and Switzerland. JR’s dramatic portrayal of the hollowed mountain brings this history to life. By veiling the Roman, Art Nouveau, and Art Deco architecture of the station with his own image, the artist blurs time and place. Positioned at a site of arrival and departure, his intervention invites travellers to reflect on the human urge to explore the natural world, and construct their own.

JR archived the installation as a photograph shot across multiple moments in the day – available to all for 48 hours only as a signed, limited edition print.

 La Nascita, Milano Centrale, Italie, 2024
Sculpture

Content

Love blows up in an edition of two-part sculptures by Kaï.Kaï uses his recurring character IF (Imaginary Friend) to make statements about societal concerns with an optimistic undercurrent. IF is representative of everyone, bringing to light our complex relationship with money, power and consumerism.In Content, IF sits on a heart-shaped balloon – eyebrows raised and hand on cheek in a moment of contemplation. The composition suggests tenderness and reflection, but IF’s feelings are ultimately left open to interpretation. “I think art is about resonating and relating to people.”

Content
Sculpture

Content (Hand-finished)

Love blows up in an edition of hand-finished sculptures by Kaï.Kaï uses his recurring character IF (Imaginary Friend) to make statements about societal concerns with an optimistic undercurrent. IF is representative of everyone, bringing to light our complex relationship with money, power and consumerism.In Content, IF sits on a heart-shaped balloon – eyebrows raised and hand on cheek in a moment of contemplation. The composition suggests tenderness and reflection, but IF’s feelings are ultimately left open to interpretation.“I think art is about resonating and relating to people.”Kaï travelled to the Avant Arte warehouse in Amsterdam and spray-painted the base of each sculpture, making each one unique.

Content (Hand-finished)
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Diptych

Javier Calleja composes a diptych from life’s possibilities and complexities.On the left, It wasn’t me is grounded in mischief that exists somewhere between innocence and malevolence. On the right, Floating conveys the carefree nature of daydreams and a sense of limitless potential. Together, Calleja builds a “simple but not easy” narrative that suspends each figure in a single moment from a story.

Each print is a 15 colour engrave, using 4 photopolymer etching plates with a final colour applied by hand by the printmaker. The artisanal production process will begin as soon the draw for the edition is held, and will take 16-20 weeks.
The diptych is made up of two prints, each an edition of 250.
© 2024, Javier Calleja, all rights reserved – text and data mining not allowed.

Diptych
Print

Floating

In Javier Calleja’s daydream a whimsical character floats, detached from reality.Floating sees a carefree figure suspended in the air. Blushing, with hands shyly in their pockets, they innocently yet mischievously look towards a single daisy perched on their head. Pink bubble letters add to the lightness of the scene, completing the composition. Originally drawn in pencil, Calleja’s soft use of colour lends a dream-like quality to his snapshot of the limitless possibilities of youth.

The print is a 15 colour engrave, using 4 photopolymer etching plates with a final colour applied by hand by the printmaker. The artisanal production process will begin as soon the draw for the edition is held, and will take 16-20 weeks.

© 2024, Javier Calleja, all rights reserved – text and data mining not allowed.

Floating
Print

It wasn't me

Javier Calleja simplifies life’s complex threads with a single, mischievous character.The wide-eyed figure, adorned with impish horns and a wicked smirk, starkly contradicts the text floating above them. ‘It wasn’t me’ hints at a grander tale, waiting to be told. Full of suggestive contrasts and rendered with bold use of fiery hues in soft pencil, Calleja’s artwork captures the interplay between innocence and mischief.The print is a 15 colour engrave, using 4 photopolymer etching plates with a final colour applied by hand by the printmaker. The artisanal production process will begin as soon the draw for the edition is held, and will take 16-20 weeks."My intention is that the spectator creates their own story when they are looking at my work."© 2024, Javier Calleja, all rights reserved – text and data mining not allowed.

It wasn't me
Print

Love Ripples

A small act of kindness spreads amongst a mirrored community in Love Ripples.Digital artist Deekay’s plethora of nostalgic characters find themselves in the physical realm for the first time in a mirrored print edition. A warm glow emanates from a central source of love, creating a domino effect of positive energy, rippling throughout the group. Embodying his artistic ambitions to spread joy across the world, the mirror allows anyone who engages with the artwork to look inwards and reflect on their own loving community.“I intended for people to see themselves when observing the characters and recognize their own capacity to both give and receive love.”

Love Ripples
Print

Minority Rules

A rabbit serves as a mirror for complex human emotions in a print by Benrei Huang.First seen in 2008, Nini is a recurring character in Huang’s work. The white rabbit has taken on a life of his own in surreal, pastel-hued vistas. In Minority Rules, Nini stands apart from a crowd of green bunnies. Whether Nini is comfortable in his solitude or has been ostracised by the warren is left open to interpretation. As her practice has evolved, Huang has stopped explaining her paintings – “a lot of my viewers have projected their own life experiences into my works, a vivid reflection of their life and on-the-spot emotions.” An edition of archival pigment prints on etching paper maintain the soft storybook feel of the reference artwork. The delicate rendering is at once universally accessible and deeply personal to Huang’s life and practice.

Minority Rules
Print

Guardian

Self-satire meets storied symbolism in a sparkling silkscreen print by Ai Weiwei.In Chinese tradition, a Door God is placed at an entrance or threshold to protect those inside from harm. By casting himself as this totemic figure, Weiwei acknowledges his standing in global consciousness, draws parallels with his life as an artist, and attempts to resolve the two.Familiar motifs nod to the negative influences that Weiwei, in divine form, might ward off – from censorship and propaganda to corruption and surveillance. Red, meanwhile, promises good fortune for the year ahead.To create the edition, printers at Make-Ready developed a new technique designed to echo a ceramic tile or cast concrete in silkscreen form. Bespoke gold ink ‘overloaded’ with metallic pigment and glitter is applied to the paper as a solid layer, then veiled by a layer of vibrant red to reveal an intricate illustration in negative space.

Guardian
Print

Park Ave

An enchanting vision of Manhattan at dusk from the world of Laura El.Illustrations by Laura El draw inspiration from the familiar streets of New York City. If they feel lifted from a storybook, they might be. El is also an author.Park Ave bathes a brownstone streetscape in the warm glow of sunset. Leaves tumble gently as a figure strolls past with their dog. Drawn in 20,000 strokes across 200 layers, El’s digital illustration has been transformed carefully into a limited edition print with phosphorescent details and glossy varnish highlights.“It’s an outwardly peaceful morning walk, but there's an undeniable New York City rush hidden within it. The windows, reflecting light during the day and glowing in the darkness, add a dynamic quality that I've never found in any of my physical artworks before.”

Park Ave
Print

Inner Love

Internal and external reflections coalesce in a print by Tomás Sánchez.Cuban artist Tomás Sánchez paints surreal visions of utopia in mind-bending detail. The artworks embody his commitment to preserving what remains of the wilderness, and a personal relationship with meditation spanning five decades.Inner Love places its cross-legged subject on a mirage-like island, mirrored perfectly in the water that surrounds it. As with many of the artist's landscapes, the scene is inspired by verdant forests and tranquil rivers close to his studio in Costa Rica. For Sánchez, the artwork provides space for a moment of self-reflection."I believe that Inner Love is a painting that can transmit to others the same peace that it transmits to me and, today, it is invaluable to receive a bit of peace."The edition transforms a larger painting into a fine-tuned UV pigment print complete with a silkscreen varnish seal. Printmakers paid particular attention to fidelity and colouration, both of which are integral to Sánchez’ work, throughout the process.

Inner Love
Print

Digital Chemicals

Glitch art pioneer Dawnia Darkstone casts an illusion of mixed media in her debut print edition.The blooms of colour within Digital Chemicals are achieved by a ‘chemical bending’ process. This method entails applying potent chemicals onto layered magazines, leaving the inks to amalgamate into chemical striations. The motifs form a base of an AI model, which Darkstone has trained to build upon the intricate patterns. The print edition showcases the technical prowess of her process, with Digital Chemicals highlighting a synthetic green and yellow output. These colours are translated into a silkscreened glow-in-the-dark ink layer against a polychromatic palette.Each print is paired with an animated NFT of the same artwork. Claiming instructions will be shared with collectors after launch.

Digital Chemicals
Print

Death Carrier Bunny

Tropes collide in a print on metal by Robert Nava. Death Carrier Bunny, as its title suggests, brings together saccharine and morbid archetypes to absurd effect. Skulls adorn the back of a bright white rabbit surrounded by swathes of blood-like drips. Cartoonish yet gestural, and laced with art historical irreverence, the painting is emblematic of Nava’s monster-filled oeuvre – uninhibited by specificity.For an edition of 35 prints the painting has been transposed to aluminium sheets, lending an industrial sheen to the surface of the artwork, and finished with flashes of white gold leaf. Intentional tarnishing of the exposed metal makes every print unique.

Death Carrier Bunny
Print

Out of the Dark

Anish Kapoor opens an ultramarine fissure with his first silkscreen print.While painting has become a central focus for Kapoor over the last decade, drawing has been an integral part of his practice from the very beginning – offering a tactile counterpart to his more seamless sculptures.Out of the Dark immerses the viewer in a mountain-like form that opens into a deep blue cavernous void. The print is based on a gouache work from 2016, taken from a group of drawings which evoke ‘sites of origin’ as mounds, mountains and voids in deeply saturated colours.The artist has described blue as “a colour that reveals darkness in a deep and mysterious way.” It was used by Kapoor in his earliest explorations of the void as a sculptural form. Like the dichotomy between his sculptures and paintings, it exists in balance with its perceived opposite. While red calls to mind blood and bodies, blue is transcendent and empty. Earthly, yet cosmic. Working closely with Kapoor, printmakers at Make-Ready in London paid close attention to chromatic accuracy. Spot colours including pure ultramarine were added to a CMYK separation to maximise depth and intensity in a 24 layer silkscreen print.“I am thrilled to share my first silkscreen print and to collaborate with Avant Arte on this new edition, and look forward to participating in a project that takes artwork to a wider audience.”

Out of the Dark
Print

Twilight Triptych

With Twilight, a series of 40 elaborately-staged photographs taken between 1998 and 2002, Gregory Crewdson arrived at the epic, filmic approach which has come to define his instantly recognisable images. 25 years on, three images from the series have been reprised as limited edition prints – available to order individually or as a triptych with a 10% discount.Twilight explores liminal moments in small town America. Everyday settings become paranormal as night draws and bizarre details arise. Intentionally ambiguous, each photograph resembles a climatic film noir still while eluding any concrete plot, place or character.

Twilight Triptych
Print

Untitled [Man in Car with Shed]

With Twilight, a series of 40 elaborately-staged photographs taken between 1998 and 2002, Gregory Crewdson arrived at the epic, filmic approach which has come to define his instantly recognisable images.25 years on, three images from the series have been reprised as limited edition prints – available to order individually or as a triptych with a 10% discount.Twilight explores liminal moments in small town America. Everyday settings become paranormal as night draws and bizarre details arise. Intentionally ambiguous, each photograph resembles a climatic film noir still while eluding any concrete plot, place or character.The first print sets a car – driver dazed, door and boot wide open – in the middle of a quiet residential street. An eerie glow emanates from a shed surrounded by bushes. Lit, curtainless windows suggest onlookers, even if none can be seen.“I’m revisiting this picture on the 25th Anniversary of Twilight because, as my first street scene of this kind, it has become very important in my iconography and visual language. Its significance in the context of my larger body of work is very striking in retrospect.”

Untitled [Man in Car with Shed]
Print

Untitled [Circle on Window]

With Twilight, a series of 40 elaborately-staged photographs taken between 1998 and 2002, Gregory Crewdson arrived at the epic, filmic approach which has come to define his instantly recognisable images.25 years on, three images from the series have been reprised as limited edition prints – available to order individually or as a triptych with a 10% discount.Twilight explores liminal moments in small town America. Everyday settings become paranormal as night draws and bizarre details arise. Intentionally ambiguous, each photograph resembles a climatic film noir still while eluding any concrete plot, place or character.In the second print, a woman gazes out to the street from a drab and empty living room. She shares the space with minimal furnishings including a lamp – still wrapped in cellophane – and an ominous black hook. On the window hovers a perfect circle, drawn in dust."Perfect circles have been an ongoing motif. They have a certain visual quality that works well in pictures, but I also like them in terms of what they signify in our lives and the ways we think. The woman in this picture has drawn a circle on the window that separates her interior space from a larger world that she peers out toward."

Untitled [Circle on Window]
Print

Untitled [Ray of Light]

With Twilight, a series of 40 elaborately-staged photographs taken between 1998 and 2002, Gregory Crewdson arrived at the epic, filmic approach which has come to define his instantly recognisable images.25 years on, three images from the series have been reprised as limited edition prints – available to order individually or as a triptych with a 10% discount.Twilight explores liminal moments in small town America. Everyday settings become paranormal as night draws and bizarre details arise. Intentionally ambiguous, each photograph resembles a climatic film noir still while eluding any concrete plot, place or character.In the final print, a narrow beam of light invades an otherwise-innocuous corner. The spot where it lands – home to a wooden signpost and a broken fence – wriggles beneath its newfound significance.“I like the way that something as simple as a ray of light can change a landscape from ordinary to mysterious or uncanny. Light becomes a narrative code. Here, the ray of light offers a sense of something larger than us – expansive, or transcendent. There are moths in the picture, which are a motif that runs through my work. In this case, I took real moths that I photographed for a previous series and composited them into the light.”

Untitled [Ray of Light]
Print

Rainbow Bridge

Christian Rex van Minnen probes the thresholds of reality with his second time-limited print.Rainbow Bridge is based on the artist’s new series of trompe l’œil portal paintings, first exhibited in his solo exhibition La Luz Atrapada at Veta Galeria in November 2023. The catalyst? A question posed by his son – “Dad, why don’t you paint something beautiful today?” While the series marks a new direction for van Minnen's practice, the amalgamation of influences contained in his hyperreal marble niches and bubbling still life bouquets are consistent. Before painting the series he studied the compositions of Dutch Master Ambrosius Bosschaert, breaking them down to create his own formula.The title refers to a theory describing the connection between our inner selves and different levels of consciousness. Van Minnen's interpretation consists of 3 essential elements: an open-stone niche, the sky and a still life arrangement – symbolising the self, the heavens and phenomena of the eye.The edition will be printed at Make-Ready in London after the 24 hour launch window ends and edition size is confirmed. Each will be finished with a matte silkscreen seal, while spot highlights in gloss varnish bring the gummies to life.

Rainbow Bridge
Print

Chromie Squiggle #8107

Snowfro's debut Art Blocks series is venerated in print.Chromie Squiggle #8107 celebrates the ‘Ribbed’ trait of Snowfro’s Chromie Squiggle series. A personal favourite of the artist, the trait symbolises layers of the human mindset. The black ribbed layer shrouds the rainbow layer, inferring how a layer of guardedness can often prevent our inherent joy from fully radiating.The print process of the edition replicates how each Chromie Squiggle is digitally arranged. Each of the 10,000 digital squiggles were created with a standard full spectrum rainbow layer, adorned with a trait on top. Here, the rainbow layer is masked by black ribs which are applied with a silkscreen layer.With the artist taking no profit from the project, Snowfro hopes the print edition will allow the broadest possible audience to enjoy Chromie Squiggles with a high quality physical representation.The exact edition size will be determined by the number of prints ordered in the 7 day release window. When this window ends, artworks will be printed and shipped worldwide free of charge.

Chromie Squiggle #8107

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Your questions, answered

Parra's studio, with Parra at the centre, his back to the camera as he works on the large painting takes centre stage, showing a faceless blue woman in a striped dress, painted in red, purple, blue and teal. The studio is full of brightly coloured paints, with a large window on the right and a patterned rug across the floor under the painting.