Lithography
Lithography is a planographic printing technique where a design is drawn onto a flat stone or a metal plate, and adhered via chemical reactions.
Lithography is a printing method that relies on the principle that grease and water don't mix. To create an image, a greasy substance, like special ink (called tusche), crayon, or synthetic materials, is applied to a textured surface (usually aluminium nowadays, but traditionally on stone). Also, photochemical or transfer processes can be used.
Next, a solution of gum arabic and nitric acid is spread over the surface, making certain areas water-absorbent (non-printing) and others grease-absorbent (image areas). To print, the surface is kept wet, allowing an ink roller with oil-based ink to be rolled over it. The ink only sticks to the grease-receptive image areas. Finally, paper is placed against the surface, and the plate is passed through a press to create the print.
13 results found for "Lithography"
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Glaring Shade
In Glaring Shade, Gribbon inserts Scott into various scenes through the matrix of the queer woman artist in the 21st century.The series of 12 monotype prints draw attention to the act of seeing, not just for the artist and viewer, but also for the subject. The variations of print motifs each draw attention to Scott’s eyes, created by unique manipulations of a printing plate and inks. In one scenario, Scott blocks a spotlight light with her hand, a nod to her performance background. In another, she protects herself with an eyepatch, surrounded by an imagined greenscape inspired by art historical scenes. This playful approach to printmaking allows the viewer to empathise with Scott’s experience of seeing, whilst simultaneously questioning what it is to be seen.
Up to You
Javier Calleja is known for simple yet darkly humorous portraits created in his signature, distinct style. Up to You demonstrates this humour and aesthetic.
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